{"id":19206,"date":"2013-11-10T22:08:40","date_gmt":"2013-11-10T22:08:40","guid":{"rendered":"http:\/\/mrswisesturt.com\/wow\/?p=616"},"modified":"2021-04-27T15:34:20","modified_gmt":"2021-04-27T14:34:20","slug":"creating-3d-through-tone-a-quick-demo","status":"publish","type":"post","link":"https:\/\/www.naturestudio.com\/creating-3d-through-tone-a-quick-demo\/","title":{"rendered":"Creating 3D through tone – a quick demo"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]So this is really the total crux of my watercolour technique. Using tone to create 3D effects.<\/p>\n

It\u2019s taken from the full Step-by-Step video I created for my online School<\/a> which I suggest everyone tries first as the beginner tutorial.<\/p>\n

What\u2019s great about painting this basil leaf is that the hue is the same all the way through, but the tonal range is pretty wide.<\/p>\n

So we don\u2019t need to even THINK about hues! Nice.<\/p>\n

I even have us work from a grey-scale photo so that we don\u2019t get distracted by hue at all.<\/p>\n

Instead, we just work with the CONSISTENCY of the paint, to change its tone, and also use LAYERS to darken the tone gradually. Importantly it’s FUN and we start to get 3D effects really early on – which I always enjoy.<\/p>\n

Whilst we develop the dark and midtones, we leave our highlights – only to work on them in the final stages.<\/p>\n

Working in this way helps you to RELAX, knowing it’s much harder to accidentally take your highlights too dark.<\/p>\n